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英語(yǔ)文學(xué)畢業(yè)論文提綱
英語(yǔ)作為現(xiàn)在我們必修的課程之一,我們平時(shí)對(duì)待它都有點(diǎn)頭痛,那常常對(duì)著它的英語(yǔ)專業(yè)的學(xué)生呢?他們估計(jì)也有點(diǎn)厭倦了,那么英語(yǔ)專業(yè)的畢業(yè)論文是怎么樣的呢?下面小編分享一篇英語(yǔ)文學(xué)畢業(yè)論文提綱給大家看看。下面是提綱內(nèi)容:
Acknowledgements 4-5
摘要 5-6
Abstract 6
1. Introduction 9-15
1.1 Research Issue,Significance and Thesis Statement 9-10
1.2 Research Theory and Methodology 10-11
1.3 Literature Review 11-14
1.4 Thesis Structure 14-15
2. British Comedy Tradition-From the 1890s to the Present 15-24
2.1 From the 1890s to the Late 1920s:Visual Humor in Silent Cinema 15-16
2.2 From the Late 1920s to the 1930s:the Coming of Verbal Humor 16-17
2.3 From the 1940s to the 1960s:Ealing Comedy,Carry Ons,etc 17-21
2.3.1 The Ealing Comedies 18-19
2.3.2 The Carry Ons 19-20
2.3.3 Other Representative Comedians or Works 20-21
2.4 From the 1970s to the 1980s:A Relative Decline 21-22
2.5 The 1990s Onwards:Unprecedented Commercial Success 22-24
3. Analysis of Commercially Successful British Comedy Films since the 1990s 24-45
3.1 The Commercial Success:Box Office and Rating 24-26
3.2 Transformation to New-style Comedy:Urgency and Possibility for Change 26-30
3.3 International Production and Promotion 30-34
3.3.1 Funding 30-31
3.3.2 Co-production and Distribution 31-32
3.3.3 Popular Music 32-34
3.4 Selling Britishness 34-45
3.4.1 Urban Romantic Comedy and National Identity 34-35
3.4.2 Urban Romantic Comedy:Major Themes 35-41
3.4.3 Feel-good Community Comedy and National Identity 41
3.4.4 Feel-good Community Comedy:Major Themes 41-45
4. Case Study of Four Weddings and a Funeral(1994) 45-53
4.1 Overview and Reception 45-46
4.2 Synopsis 46
4.3 Theme Exploration 46-50
4.3.1 Urban Fairy Tale 46-48
4.3.2 Quest for True Love and Marriage 48-49
4.3.3 The Special UK-US Relationship in Film 49-50
4.4 Production and Promotion Analysis 50-53
5. Case Study of The Full Monty(1997) 53-60
5.1 Overview and Reception 53-54
5.2 Synopsis 54
5.3 Theme Exploration 54-57
5.3.1 The Decline of Traditional Industry and Working Class 54-55
5.3.2 Masculinity Crisis 55-56
5.3.3 Optimism,Nostalgia and Collectivism 56-57
5.4 Production and Promotion Analysis 57-60
6. Conclusion 60-62
Works Cited 62-67
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